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Critique By:
Andreas Wolkerstorfer (K:5090)
5/2/2005 9:30:26 PM
schön. habe gerade einen Comment mit Link gepostet, aber dieses Usefilm verschluckt dann gleich alles. Mail mich mal an, danke, Andreas
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| Photo By: R. W.
(K:508)
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Critique By:
Andreas Wolkerstorfer (K:5090)
2/24/2005 10:43:41 PM
yups, so gehts  Schön gesprenkelte Mattscheibe hier
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| Photo By: R. W.
(K:508)
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Critique By:
Andreas Wolkerstorfer (K:5090)
1/18/2005 10:40:02 PM
cool. When I used the Certophot the first time I liked the colors, too. Seems to be a good lens, uncoated ... btw. you can find some certophotphotos on my website wolkerstorfer.at
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| Photo By: Claude H.
(K:1560)
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Critique By:
Andreas Wolkerstorfer (K:5090)
1/18/2005 10:38:11 PM
second attempt to add a comment (I wanted to copy an url and than the comment thing doesnt work) - anyway, I like your certophot results, even if you point up the camera like here
Andreas
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| Photo By: Claude H.
(K:1560)
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Critique By:
Andreas Wolkerstorfer (K:5090)
1/18/2005 10:34:57 PM
never point the camera up a building like this -means: I like. BTW I like your Certophot shots, there are not so many photographers who use this iron tool. If you want so see my first results copy and paste http://www.wolkerstorfer.at/6x6/Certo-Phot/dresden.html greetings Andreas
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| Photo By: Claude H.
(K:1560)
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Critique By:
Andreas Wolkerstorfer (K:5090)
1/4/2005 12:17:14 PM
fantastic surprise here! good idea. dont know if you know the lomography.com gang has a project with triple exposures, cameras go from Japan to Germany and France if I remember right ...
Another thing: just saw that I miss your link on my holga photographer link list (http://www.wolkerstorfer.at/holga/photographers.html) and as far as I can see there are no holgas on your site - would be great if you add a gallery, madame
Andreas
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| Photo By: Kym Skiles
(K:1520)
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Critique By:
Andreas Wolkerstorfer (K:5090)
12/31/2004 8:26:45 AM
one more of these fantastic Holga photos!
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| Photo By: Petros Pavlopoulos
(K:366)
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Critique By:
Andreas Wolkerstorfer (K:5090)
9/29/2004 10:17:02 PM
cool. looks like you used a plastic camera. the clouds make it perfect. Btw same place, plastic lens, too: http://www.usefilm.com/image/213187.html
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| Photo By: éléanor le gresley
(K:80)
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Critique By:
Andreas Wolkerstorfer (K:5090)
8/25/2004 8:05:36 PM
lens: both, I would say -
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| Photo By: Reinhard Bachl
(K:48)
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Critique By:
Andreas Wolkerstorfer (K:5090)
8/18/2004 9:58:30 PM
wum thats cool. Greetings from Pakistan
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| Photo By: natalie grace
(K:98)
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Critique By:
Andreas Wolkerstorfer (K:5090)
8/16/2004 11:09:26 PM
hm. thought the Holga gives square format without white borderline
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| Photo By: Elangovan S
(K:10675)
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Critique By:
Andreas Wolkerstorfer (K:5090)
8/12/2004 10:12:01 PM
1/3 sky, 1/3 sea, 1/3 ... and these colors! Fan of your Holga shots. Whats about posting them at toycamera.com, too? Andreas
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| Photo By: Petros Pavlopoulos
(K:366)
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Critique By:
Andreas Wolkerstorfer (K:5090)
8/6/2004 5:28:02 PM
cool - would fit well into the multiexposure gallery on toycamera.com - you had good luck with the second kite above the girl on the edge of the negative, this detail makes this shot a special one (and makes my eyes wander in circles)
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| Photo By: R. W.
(K:508)
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Critique By:
Andreas Wolkerstorfer (K:5090)
7/21/2004 9:39:56 AM
Hi Kym, I see you enjoy Holga as travel friend - nice results. Was at your homepage to look for Holgas - did I overlook them? Andreas
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| Photo By: Kym Skiles
(K:1520)
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Critique By:
Andreas Wolkerstorfer (K:5090)
7/11/2004 12:37:35 PM
@ Ronald: its a digital photo of the viewfinder, details here: http://www.wolkerstorfer.at/6x6/viewfinder/view.html - thanks for comments!
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| Photo By: Andreas Wolkerstorfer
(K:5090)
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Critique By:
Andreas Wolkerstorfer (K:5090)
7/11/2004 12:36:27 PM
a lightfeeted Holga shot that makes me think about color again ...
any place on the web to see more of your Holga photos?
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| Photo By: Petros Pavlopoulos
(K:366)
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Critique By:
Andreas Wolkerstorfer (K:5090)
7/11/2004 12:22:42 PM
cool result - for Carl Heinz: "The big aperture can be made even larger, if you wish (as shown here). Simply pry out the remaining plastic from behind the lens. This piece actually holds the lens in place, so be careful not to let the lens fall out and roll under the fridge. Not to mention scratching the lens all up with the screwdriver. If you go this route, use a couple SMALL drops of model glue to hold the lens in place. Also be aware that this larger aperture will also let in more diffuse light from the frosty periphery of the lens (normally covered by the platic retainer you just removed), resulting in a more hazy image on film." Quote from the first link here ... its that I do with all plastic cameras - to use the outer parts of the lens is good for vignetting and blur ... esp with lenses that are more convex than others (Holga, Diana)
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| Photo By: Suzi Q.
(K:426)
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Critique By:
Andreas Wolkerstorfer (K:5090)
7/11/2004 12:18:09 PM
cool - paper negative: I guess black and white? I think about to load a Diana with paper, could you tell me the secrets, how you manage a 10 seconds exposure without overexposing? My email is satz@wolkerstorfer.at - thanks
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| Photo By: magdalena krajewska
(K:129)
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Critique By:
Andreas Wolkerstorfer (K:5090)
7/11/2004 12:11:13 PM
showing something that is "behind" the subject is definitly a reason to take a photograph of this curve that goes to the right. Its so to say a symbol of this photograph itself.
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| Photo By: Andrea Forti
(K:3069)
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Critique By:
Andreas Wolkerstorfer (K:5090)
4/3/2004 2:49:09 PM
cool - if you like such colors and want to get them without postprocessing in Photoshop, I would have a 35 mm camera for you that makes the thing: Vivia, a USSR plastic camera with glass lens. If you want to have it (see details on my website), email me, its free for you, shipping included - I think you would make the best with it - best wishes, Andreas
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| Photo By: Seven E.
(K:600)
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Critique By:
Andreas Wolkerstorfer (K:5090)
4/3/2004 12:16:48 PM
good idea to load paper in this camera, did you develope it yourself? The result got a mood like with a pinhole camera - cool
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| Photo By: magdalena krajewska
(K:129)
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Critique By:
Andreas Wolkerstorfer (K:5090)
4/2/2004 3:10:19 PM
compare http://www.usefilm.com/image/213187.html
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| Photo By: King Chung
(K:175)
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Critique By:
Andreas Wolkerstorfer (K:5090)
3/30/2004 11:30:52 AM
thanks for answer, here a new car for you (test for attachment)
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| Photo By: ppdix
(K:17069)
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Critique By:
Andreas Wolkerstorfer (K:5090)
3/30/2004 12:17:31 AM
a good example for the confusing reply system here ... but its about the photo more than about words.
So I want to add a further interpretation, found with a friend, viewing this photo: its like waking up, first glimpse in the morning, you dont want to know the time ...
and a technical note: I guess, you wanted to capture more of the clock, but you didtnt get all of it what the viewfinder showed ... (parallax) ..
its a pity that you deleted your first Polaroid posting here ... hope to see more
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| Photo By: Brian Veleker
(K:17)
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Critique By:
Andreas Wolkerstorfer (K:5090)
3/29/2004 2:06:30 PM
Patrick how did you get to know the exposure time for this bad sunday photo (pun)
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| Photo By: ppdix
(K:17069)
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Critique By:
Andreas Wolkerstorfer (K:5090)
3/28/2004 11:35:37 AM
yes, I got an email that you replied. Are your settings ok (you can choose it on "my usefilm") - I like the reply feature, too, and Al knows when I will like it even more
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| Photo By: Andy Simmons
(K:7704)
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Critique By:
Andreas Wolkerstorfer (K:5090)
3/28/2004 9:29:23 AM
pretty sharp (just a comment for testing if you get an email, btw, I got a new comment today, too, and got no email)
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| Photo By: Andy Simmons
(K:7704)
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Critique By:
Andreas Wolkerstorfer (K:5090)
3/28/2004 9:12:09 AM
thought processes of scanning sounds interesting
For me this Polaroid photo shows the magic of photography more than an abstract composition or the clock. You could photograph the clock with a digital camera and so on. You could get a good composition with cropping in Photoshop. but all this is not the thing I see here. I see the fact that we see something and dont see nothing so to say. This Polaroid photo is like a small lamp in my brain that shows me whats going on seeing a clock. I am not on drugs I had this feeling already when you posted your other Polaroid photo here. Its more than a photo.
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| Photo By: Brian Veleker
(K:17)
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Critique By:
Andreas Wolkerstorfer (K:5090)
3/28/2004 6:07:10 AM
fahrrad zum vergolden [@ gertrud test]
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| Photo By: Bandi Friedmann
(K:1100)
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Critique By:
Andreas Wolkerstorfer (K:5090)
3/28/2004 3:25:14 AM
on the right way to zen
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| Photo By: The Armed Eye
(K:3563)
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