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 By: Colin Fitzpatrick  
  Copyright ©2003

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Photographer  Colin Fitzpatrick {Karma:1428}
Project #23 Objects Camera Model Nikon CoolPix 5700
Categories Macro
Film Format
Portfolio Lens CoolPix F=8.9 - 71.2mm (35 - 280mm)
Uploaded 7/7/2003 Film / Memory Type Digital, taken in RAW
    ISO / Film Speed 0
Views 649 Shutter 1/702 sec
Favorites Aperture f/3.5
Critiques 3 Rating
Pending
/ 1 Ratings
Location City - 
State - 
Country -   
About Trying to capture the effect I wanted was near on impossible, the curved glass reflected the natural light, I almost threw the lot out to re-visit the task another day.

Once again PhotoShop has made something out of nothing,,

Data:
DSCN2312.NEF
CAMERA : E5700V1.1
METERING : SPOT
MODE : A
SHUTTER : 1/702sec
APERTURE : F3.5
EXP +/- : 0.0
FOCAL LENGTH : f22.3mm(X1.0)
IMG ADJUST : STANDARD
SENSITIVITY : ISO100
WHITEBAL : PRESET
SHARPNESS : OFF
DATE : 06.07.2003 14:41
QUALITY : FULL RAW
SATURATION : 0
FOCUS AREA : CENTER
EXIF Data
Random Pictures By:
Colin
Fitzpatrick


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After the Fires, Mt. Buffalo 2003

There are 3 Comments in 1 Pages
  1
Adam E. J. Squier   {K:9803} 7/10/2003
Is it just me, or does the above comment from Carole have nothing to do with the image? Maybe some comments were deleted.

This image is well-done technically. I thought there was a ghost image of a dog in there, but I'm probably just seeing things....

  0


Carole Bradford   {K:10715} 7/10/2003
I missed this one - am not sure about smashing the glass! Have missed you two! on holidays??? If you've got 10,000 - you better post some photos soon - we only have a few flocks scattered here and there - and they are all refugees from your neck of the woods or escaped/let loose from cages! I know - once upon a time I had two myself - couldn't stand the noise let alone the complaints from neighbours!

  0


Maarten Venter Maarten Venter   {K:885} 7/10/2003
Colin, I like the rich black background and I think the picture is very well thought out. If I may make a suggestion: Smash the glass. I would like to see more of these.

  0


  1

 

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