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Formby Point
 
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Image Title:  Formby Point
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Favorites: 1 
 By: Paul Schofield  
  Copyright ©2007

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Photographer  Paul Schofield {Karma:5970}
Project #52 Patterns in Nature Camera Model Bronica ETRSi
Categories Landscape
Film Format
Portfolio Lens Zenzanon PE 40mm
Uploaded 8/18/2007 Film / Memory Type Fuji RVP
    ISO / Film Speed
Views 576 Shutter
Favorites Aperture f/
Critiques 19 Rating Critique Only Image
Location City - 
State - 
Country - United Kingdom   United Kingdom
About I discovered 5 rolls of out date original Velvia 50 at a local camera shop.
Random Pictures By:
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Schofield


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There are 19 Comments in 1 Pages
  1
Dan Wilson Dan Wilson   {K:21104} 4/13/2008
Hi Paul, stunning shot, I love the details and the contrast between the colours, very nicely captured

  0


Paul Schofield   {K:5970} 2/26/2008
Thanks Jen. I used to work with film cameras, then along came digital so I sold them all. I found then that I became a bit lazy with getting an image right by checking the screen to see if everything was okay rather than concentrating on the shot in the first place. I bought second hand film cameras from on line auctions etc because the price fell, and now ten to think more about my picture than leaving it to chance.

That said, I still use digital now and again and love the clarity it gives me but am really enjoying film at the moment. So I use both.

As for PODs etc. In my opinion there are many photos on UF by excellent artists that are far more deserving of POD than this; but thank you for your nice comments.

Paul.

  0


Jen van Wijn Jen van Wijn   {K:24075} 2/24/2008
Txs a lot for the explanation dear Paul, does that mean you work with an analoge camera still or also?? Its a very wonderful shot, keep lookig at it! Made it my fav! I think it wouldnt have been that nice without the clouds, its something special, cant believe you/it didnt become a POD or something...xxJen

  0


Paul Schofield   {K:5970} 2/24/2008
http://en.wikipedia.org/wiki/Velvia

  0


Paul Schofield   {K:5970} 2/24/2008
Thanks for the comment Jen.

In the days before digital there were a lot of different types of film made. Velvia was a slide film that made the colours very rich. It was a favourite of many landscape photographers, but not popular with portrait photographers.

The colours in this scene are real, just 'saturated' because of the film. About 3 years ago Fuji stopped making Velvia 50 and it became scarce. I found 5 rolls in a local camera store. Fuji have since started to make the film again.

http://en.wikipedia.org/wiki/Velvia has some more information if you interested.

Best wishes.

Paul

  0


Jen van Wijn Jen van Wijn   {K:24075} 2/23/2008
Tell me what is a Velvia Paul, for a total amateur:) Its such a great shot I can't believe this can be like a natural shot, still have so much to learn...thanks for reading and looking! xxJen

  0


Doyle D. Chastain Doyle D. Chastain   {K:101119} 2/3/2008
I LOVE Velvia! This came out Great!! Joust LOOK at that color! Excellent work!

Regards,
Doyle I <~~~~~

  0


Alberto Monroy   {K:27} 9/18/2007
PAUL EXCELENT COLOR AND LIGT GOOD SHOT

  0


Rahi Habibian   {K:241} 8/21/2007
wow , is that night? a long shutter ????, anyway its wonderfull, iwould give that 6 or 7

  0


j esford j esford   {K:13518} 8/20/2007
stunning color, beautiful light! great equipment, great film. well done Paul. -john

  0


John Pitman   {K:8473} 8/20/2007
Nice detail. John

  0


Alicia Popp   {K:87532} 8/19/2007
Genial captura... formas, colores, texturas... un encanto!
Felicitaciones!!!

  0


JP Spicer-Escalante JP Spicer-Escalante   {K:3831} 8/19/2007
This is more than sufficient, Paul. Thanks!!!

JP

  0


Paul Schofield   {K:5970} 8/19/2007
I am sorry JP but I cannot. With a totally manual film camera the only way to record exif data would be to write it down. I didn't.

The DOF looks quite extensive so I would say F11 or F16. I rarely use minimum apertures, and prefer to work around the F8-F11 area. I use the markings on the lens to maximise DOF so at F11 would have focused at (just under) 3m into the scene, rendering everything between 1.5m and infinity in focus.

At F16 I would have focused 2m into the scene and everything between 1m and infinity should be in focus.

Without records though I cannot answer for sure.

As for speeds. By the movement in the grass and from past experiences and preferences I would say 1/8th - 1/30th of a second.

The camera was mounted on a tripod (Manfrotto 55CLB), centre column removed and the 'legs spread' so the camera was only about 20cm above the sand. (A friend with me photographed me taking this photo and I may well use it for my web site).

Shutter released with a cable release.

Hope this is enough info (although vague).

  0


JP Spicer-Escalante JP Spicer-Escalante   {K:3831} 8/19/2007
This is a spectacular image, Paul. The contrat between lights and darks, as well as the interplay of the rifts of sand with the fluid nature of the clouds is brilliant.

For curiosity-sake, can you enlighten me on the details of how you took the photograph (Shutter/Aperture/etc.)?

Cheers,

JP

  0


Name Surname   {K:3712} 8/19/2007
Well done!
Amazing saturation, neat and sharp.
Davide.

  0


Gustavo Scheverin Gustavo Scheverin   {K:164501} 8/19/2007
Un momento de fantástica luz y e interesantes condiciones climáticas
Felicitaciones!

  0


Hakan AKIRMAK Hakan AKIRMAK   {K:15913} 8/18/2007
Perfect colors and great photo! Congratulations Paul!

  0


Magnus Beierlein Magnus Beierlein   {K:853} 8/18/2007
It´s an amazing shot with outstanding atmosphere and sharpness

Magnus

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