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Nick Karagiaouroglou
{K:127263} 5/27/2008
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I see exactly what you mean, Visar! A good thing to do, since this way we get used to adapt to the existing avialable situations, and still get the best out of them. It's a good exercise for sharpening one's mind too, when using the own power of the scene without forcing it to be something that it simply won't be.
Such images most of the time grow upon the spectator. Not that kind of immediate spectacularity but a rather slow and subtle interaction with the viewer.
Cheers!
Nick
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absynthius .
{K:20748} 5/26/2008
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Nick, I think it is strange how sometime our ideas surpass what technically can be achieved, instantly!! like in this example- I wanted this man the way it is in this composition- whereas, regarding the details i think it was extremely hard to have them as (without justifying myself) I was on the tram and due to the motion vibration i could not set up the aperture, say f 18 or 22- which i think would have been best. Like that i would have been able in having all the elements outside the tram blurred and the details inside crisp enough- and they both would better be attributed to the very idea of the shot.
cheers,
v.
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Nick Karagiaouroglou
{K:127263} 5/24/2008
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It's a good image for its sense of the everyday and its still available details both on shadows and highlights, Visar! But I guess that this situation is really extremely hard. What a pity that they don't develop any extreme HDR films.
Anyway, the available detail and perspective are good. It's only that they are too little. Perhaps dodging and burning?? Cheers!
Nick
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Elle Elle
{K:10958} 5/13/2008
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nice capture like the motion outside the bus very much,
looks like the man is watching the everyday life in our world from outside and nobody can see him!
best, mahassa
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Srna Stankovic
{K:172232} 5/10/2008
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Excellent Visar !
Hug,
Srna
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Kaveh H.
{K:1165} 5/8/2008
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passing through, passing through ....
;)
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Luca Peccerillo
{K:17660} 5/7/2008
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Great concept and idea!
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Pablo Dylan
{K:63918} 5/7/2008
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The ever life Tran-Tran.
Excellent capture Visar.
Pablo
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