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Trish McCoy
{K:15897} 8/28/2004
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nice shot here. beautiful colors
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Sue O'S
{K:12878} 8/27/2004
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When I rotated the image, it generated some angled edges, so I cropped them out for posting. I agree that keeping the expanded view is better. I just suggest straightening the horizon.
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Jim Christensen
{K:18843} 8/27/2004
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Nice composition. shows the whole area wher the bridge lives !
Nice work
jimc
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Sue O'S
{K:12878} 8/26/2004
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Oops. The file was too big. Let's try again.
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Sue O'S
{K:12878} 8/26/2004
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Okay, I couldn't resist playing with this. Please forgive me if you're offended. No offense is intended.
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Sue O'S
{K:12878} 8/26/2004
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Jim the sky and the details are marvelous; I really like the cabin cruiser approaching the bridge. Good timing.
However, I can't help feel like the water is going to pour off the earth to the left.
It's hard to shoot tall architecture (I know from all the lighthouses I try to capture) but imho it's important to keep the horizon logical to the viewer or it throws off the experience of viewing. People expect a line of concrete to lean with perspective if they're grounded in the fact that the earth is level. It looks like you lined up the near tresle with the edge of your frame, but I think perhaps that making certain the far tressle was straight was more important.
Or not. You may have been striving for the dynamics. :-)
Now some people may cry "Clone the powerline!" but I personally have accepted that in this day & age, powerlines are a fact of life and in our daily view, so darn it, I just ignore it.
Or not.
Anyway, it's a really cool bridge, and I'd like to see it again with a different perspective in lens.
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Tony Diana
{K:13396} 8/26/2004
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Una composición muy buena, saludos
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