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Wayne Harridge
{K:18292} 9/15/2004
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Thanks Neal,
The appearance of burned out car images depends on the availability of burned out cars ! They are not "set up", just have to grab them when I find them.
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Sam Oppenheim
{K:3362} 9/15/2004
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where to crop is a dirty difficult business. in the words of a photographer friend of mine "I never crop because once you start.. where do you stop?"
I like the left pillar, it sets the tone and affects the aesthetic and sense of directedness in the walking couple. the top could be cropped, or not, either choice affects the aesthetic, sense of place, and tone...
do you want the cell phone user to be isolated or contained?
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Neal Nye
{K:15827} 9/15/2004
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Well, what I think should be cropped here is a bunch of nit-picking comments about inconsequential trivia. This is a great series and a great idea and very well done. I don't know what happened here. The last time I checked in you were preoccupied with burned out cars. Then I check back after what seems like a short time and there's a ton of great photos I haven't seen. I have to pay more attention!
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Paolo De Maio
{K:34932} 9/14/2004
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This is a really strong image I saw it (with my eyes mind) in B/W and overall insert in a series.
If you want try to take a look to few shots of mine "La svolta" and "La scelta" to understand what I told you....
Thank you for your kind comment Wayne I have a wonderful Aussie friend in Sidney...reallly a lovely person..
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b y
{K:2671} 9/13/2004
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Like the picture although i would have cropped it just a little bit so the walls/pilars would have been out of the picture.
Kind Regards Ed
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Wayne Harridge
{K:18292} 9/13/2004
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Thanks for the comment Heath.
Yeah the cropping could be improved, but I just wanted to display the series (#10 -> #15) all at the same scale without cropping.
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Heath Bennett
{K:4429} 9/13/2004
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great modernist shot.
to be picky the crop could've eliminated the top and left pylons - but that is just my taste :)
Cheers HB
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