|
|
James Cook
{K:38068} 5/11/2007
|
Ian - Yes, that's exactly what contributes the differing sizes of brush strokes.
|
|
|
|
Ian McIntosh
{K:42997} 5/11/2007
|
Again the depth (from the shallow dof) is really satisfying here.
|
|
|
|
|
James Cook
{K:38068} 9/6/2006
|
Ana - Thanks for you comments. I will try using the levels adjustments manually, see what I can do. I usually test the auto-whatever to see if it's satisfactory--when it's not I open the manual tool (levels, color, brt/con).
|
|
|
|
|
ana ribeiro
{K:21290} 9/6/2006
|
hu! you tell everything! try the simple levels its much better cose you can choose as you are doing experimental things
thnks for comm.
|
|
|
|
|
James Cook
{K:38068} 9/4/2006
|
Larissa - Thank you very much. I have plenty more to share.
|
|
|
|
|
James Cook
{K:38068} 9/4/2006
|
Amauri - Thank you. I'm glad you enjoy my style. Are you writing in Portuguese or perhaps Romanian?
|
|
|
|
Larissa Nazarova
{K:12118} 9/4/2006
|
I love that tecnique. Very creative. James, you have a lot of images like that. Thank you for sharing.
LArissa
|
|
|
|
|
Amauri AMOF
{K:63} 9/4/2006
|
Belissimo resultado, esta tecnica quando bem utilizada, ( pode-se ver isso muito bem aqui )resulta em verdadeiras obras primas !!!:)
|
|
|
|
|
James Cook
{K:38068} 9/3/2006
|
Kostas - Thank you very much. I am working toward just such a goal: to create images that look again at the world.
|
|
|
|
Kostas Tzanetos
{K:22012} 9/3/2006
|
it's no doubt the most interesting tree trunk i've seen for a long time...the whole luxagraphic effect is very pleasing as usual...good work James ;)
|
|
|
|
|
James Cook
{K:38068} 9/3/2006
|
Hanna - Yeah, it sure looks like that. Actually I was walking along just fine. I don't recall exactly what the scene of this shooting was, but I'm guessing the lower fork of the y was a branch pointing towards where I was standing while shooting. Thanks for taking a look and commenting.
|
|
|
|
Hanna Segal
{K:13469} 9/3/2006
|
falling off a tree?:)
love the vertigo feeling
|
|
0 
