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Critique By:
Andrew Michael (K:86)
6/3/2005 12:09:01 PM
Thanks so much for your nice comments! My email is located in the contact section of my website: www.andrewmichael.org. From there we can correspond.
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| Photo By: Andrew Michael
(K:86)
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Critique By:
Andrew Michael (K:86)
2/5/2005 2:21:46 AM
Thanks! This is the last stop for food and drink for another 50 miles, just before the entrance to Death Valley.
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| Photo By: Andrew Michael
(K:86)
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Critique By:
Andrew Michael (K:86)
12/28/2004 1:31:52 AM
I used a red 29 for this shot.
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| Photo By: Andrew Michael
(K:86)
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Critique By:
Andrew Michael (K:86)
11/19/2004 9:32:05 PM
Nice image! I can feel the cold and stillness in this photo.
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| Photo By: Kamil Kwiatkowski
(K:117)
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Critique By:
Andrew Michael (K:86)
7/31/2004 1:27:38 PM
Tilting would not correct what you see. There is some keystoning off to the right (my camera was not quite square with the bldg), which make it look slightly tilted. If I had the professional version of photoshop, I would correct the perspective.
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| Photo By: Andrew Michael
(K:86)
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Critique By:
Andrew Michael (K:86)
6/30/2004 12:40:31 PM
Michael, you seem to have missed the point of the image.
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| Photo By: Andrew Michael
(K:86)
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Critique By:
Andrew Michael (K:86)
5/31/2004 3:26:29 PM
I love the feel of this image, Miguel. Nice job!
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| Photo By: Miguel Martinez
(K:5507)
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Critique By:
Andrew Michael (K:86)
5/31/2004 2:52:10 PM
Thanks Sonia, and you're images are quite beautiful as well! Some remind me of Albumin prints.
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| Photo By: Andrew Michael
(K:86)
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Critique By:
Andrew Michael (K:86)
5/25/2004 2:47:35 PM
Very nice image.
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| Photo By: Christian Barrette
(K:21125)
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Critique By:
Andrew Michael (K:86)
5/24/2004 2:32:50 PM
Nice image, Kevin! How do you like you E1 thus far?
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| Photo By: Kevin Dean
(K:438)
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Critique By:
Andrew Michael (K:86)
5/24/2004 2:10:47 PM
Nice image, Kevin! How do you like you E1 thus far?
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| Photo By: Kevin Dean
(K:438)
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Critique By:
Andrew Michael (K:86)
5/23/2004 5:00:00 PM
I actually like the "blown out" feel of the model's skin here, and the line of her zipper leads the viewer's eye right into top part of the image. Beautiful velvety, blue touch to the background. Great job and compostion!
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| Photo By: Traci A. Quinn
(K:-83)
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Critique By:
Andrew Michael (K:86)
5/22/2004 4:24:09 PM
Oops, that is a typo, as I used Ilford HP5. Thanks for pointing that out!
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| Photo By: Andrew Michael
(K:86)
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Critique By:
Andrew Michael (K:86)
5/21/2004 9:04:07 PM
Marcello thanks you!
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| Photo By: Andrew Michael
(K:86)
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Critique By:
Andrew Michael (K:86)
5/21/2004 8:56:30 PM
Another nice piece Emil, excellent work!
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| Photo By: emil schildt
(K:427)
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Critique By:
Andrew Michael (K:86)
5/10/2004 3:03:29 PM
Thanks for your nice comments, and I really like your work as well, great stuff! I actually hadn't noticed the shadows on the leaf, so that's why it's so helpful to receive advice from others. I agree that the shadows, now that I've seem them, are slightly distracting. However, I am rather rigid with regard to preserving the raw nature of Polaroid 55 P/N, so even though I could correct it digitally, I'd rather not. For me, the quirks are important to the overall look.
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| Photo By: Andrew Michael
(K:86)
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Critique By:
Andrew Michael (K:86)
5/10/2004 2:03:44 PM
Greetings Oliver! Very nice and poignant. She seems to be lost in a sea of automation, and the look on her face seems perplexed, yet thoughtful. It asks alot of questions: is she thinking of a youthful romance? Has she gone to a carnival to escape a depressing situation? One minor criticism is that I would like to see less the white area at the top of the image, and more of her, but you may be limited by the exposure. All in all, nice job.
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| Photo By: Oliver Dienst
(K:452)
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Critique By:
Andrew Michael (K:86)
5/8/2004 6:23:51 PM
What a nice compliment, thanks Pia!
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| Photo By: Andrew Michael
(K:86)
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Critique By:
Andrew Michael (K:86)
5/8/2004 12:27:20 PM
Thanks so much for your generous comments. The polaroids were scanned using an Epson flatbed 2450. The negatives are placed on the glass, and I sandwich another piece of glass over the negative. This sometimes results in some newton lines, but it's trial and error. This procedre seems to be the only way I can retain the expressive border of polaroid 55, as the supplied carrier eliminates them. BTW - your compositions are quite beautiful as well!
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| Photo By: Andrew Michael
(K:86)
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Critique By:
Andrew Michael (K:86)
4/26/2004 8:31:06 PM
Thanks for your comment! The camera I used is a 4x5 field camera.
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| Photo By: Andrew Michael
(K:86)
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Critique By:
Andrew Michael (K:86)
5/13/2003 6:57:07 AM
Nice abstract, good job!
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| Photo By: rami rami
(K:2201)
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Critique By:
Andrew Michael (K:86)
4/28/2003 2:21:41 PM
This was a lighting experiment for me, so I shied away from later digital alternations, while trying to set up the lighting to reduce distracting reflections. The bright spot you see is the softbox. I tried as much as possible to position my lighting so as to prevent unnecessary reflections, but that reflection couldn't be helped at the time. I shot this with my camera on timer while I was bending over the camera pouring the liquid into the glass (I was beginning to get drunk from the fumes!). Hopefully, I'll get better at this!
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| Photo By: Andrew Michael
(K:86)
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Critique By:
Andrew Michael (K:86)
4/28/2003 10:12:34 AM
Thanks for your comments! The off-white specks are actually dripping liqueur which became darkened with the download, but, point noted.
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| Photo By: Andrew Michael
(K:86)
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Critique By:
Andrew Michael (K:86)
4/28/2003 8:50:13 AM
Gorgeous work! Reminds me of some of Steve McCurry's work. Beautiful folder overall.
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| Photo By: Marcio Cabral
(K:12496)
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