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Critique By:
Mauricio-José Schwarz (K:160)
5/4/2004 1:53:19 AM
Wonderful angle and the choice of sepia is excellent. I'm a fan of Fritz Lang's film and yes, it echoes its mood.
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| Photo By: Fernando Porto
(K:1239)
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Critique By:
Mauricio-José Schwarz (K:160)
5/4/2004 1:11:11 AM
Interesting, a bit disquieting, perhaps.
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| Photo By: Lisa Paully
(K:1735)
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Critique By:
Mauricio-José Schwarz (K:160)
5/4/2004 1:07:10 AM
Great idea, fantastic realization. The tonality really makes for a truly thought-provoking shot. I'd change the name, though...
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| Photo By: sandy c. hopkins
(K:17107)
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Critique By:
Mauricio-José Schwarz (K:160)
1/21/2004 4:27:34 PM
I like the lighting, the shadows, and the original approach.
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| Photo By: Ed Konczal
(K:267)
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Critique By:
Mauricio-José Schwarz (K:160)
1/9/2004 7:23:11 PM
Very attractive symmetry. The backlighting is, of course, the gravity center of the image.
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| Photo By: Marcia Moskado
(K:1025)
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Critique By:
Mauricio-José Schwarz (K:160)
12/21/2003 8:52:47 AM
Re the slow shutter speed: it was impòsed by the lighting conditions inside the practice hall and the fact that the lens I have is not too fast (3.5/4.5). I tried this shot several times during the exercise, both with flash (at ISO 100) and without flash (at !SO 3200), and definitely the second was the best choice, even better with the grain.
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| Photo By: Mauricio-José Schwarz
(K:160)
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Critique By:
Mauricio-José Schwarz (K:160)
7/27/2003 1:21:46 PM
The composition in this shot is everything, what I'd call a "multiple portrait" in which every detail seemingly gives us a clue about your subject. Sepia tone is perfect for the shot, unfortunately it's too dark, something especially noticeable in the clothing of your subject.
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| Photo By: Pedro Libório
(K:36301)
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Critique By:
Mauricio-José Schwarz (K:160)
7/27/2003 1:09:11 PM
The cropping could be altered to put the two figures in an attention spot and give them more weight in the frame. Try to crop so as the leftmost person lies in an intersection of thirds and see if it's not a stronger image.
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| Photo By: Nita M
(K:4986)
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Critique By:
Mauricio-José Schwarz (K:160)
7/27/2003 12:55:51 PM
Little to say here. It's a great shot, and it shows good eye for finding it. Makes one think about the little lives behind every window.
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| Photo By: Ayse Telci
(K:4168)
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Critique By:
Mauricio-José Schwarz (K:160)
7/27/2003 12:49:20 PM
Perhaps a faster shutter speed would have helped to avoid the water being blurry. Hope you're enjoying the 10D as much as I am.
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| Photo By: Alan Orr
(K:9671)
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Critique By:
Mauricio-José Schwarz (K:160)
5/12/2003 3:29:06 PM
Probably the feeling of solitude would be enhanced if the angle were wider, showing more empty sea around the buoy.
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| Photo By: Arturo Nahum
(K:959)
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Critique By:
Mauricio-José Schwarz (K:160)
5/4/2003 11:19:46 AM
The whole photo is tilted to the left, it needs a little rotation. The tonality works fine in giving a subdued mood, almost nostalgic. A polarizing filter will help you avoid the reflections on the upper windowpanes.
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| Photo By: Mohamed Azmy -
(K:74)
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Critique By:
Mauricio-José Schwarz (K:160)
5/4/2003 11:05:49 AM
The lighting is simply perfect, it serves to focus on the subject's eyes, which are of course the center of emotional gravity of this photo.
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| Photo By: Knut Hoftun Knudsen
(K:526)
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Critique By:
Mauricio-José Schwarz (K:160)
5/4/2003 5:30:32 AM
Powerful image, very emotional.
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| Photo By: Aiman Nassar
(K:11961)
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Critique By:
Mauricio-José Schwarz (K:160)
5/2/2003 4:18:00 PM
Reminiscences of classic Dutch painters...
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| Photo By: Steve Silverman
(K:42)
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Critique By:
Mauricio-José Schwarz (K:160)
5/2/2003 4:02:07 PM
This is an image of peace and serenity wich captures the unique warmth of clay. The natural lighting is well used and the slight greenery in the background compensates for the fact that the pots are empty.
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| Photo By: Meryl Paul
(K:122)
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