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Critiques From @ Swing


  1  2  3    >


Critique By: @ Swing  (K:393)  
10/8/2009 10:06:47 AM

darun chobi...pahar lobhe pore ota beshi rakhoni bole darun lagchhe... tomake ageo bolechi - abar bolchhi, pentax er pancake keno ekta..advut advut bhalo lens...
        Photo By: soumya    (K:13087)

Critique By: @ Swing  (K:393)  
10/8/2009 7:55:16 AM

if anyone is visiting ahmedabad - do please see this mosque.. this is unique...too large, not loud
        Photo By: Madan Mohan  Chakraborty  (K:1531)

Critique By: @ Swing  (K:393)  
10/8/2009 7:19:39 AM

story telling photo - nice work...... nice to see XG-M is still there.. one of my fav camera
        Photo By: Wolf Zorrito  (K:78768) Donor

Critique By: @ Swing  (K:393)  
10/8/2009 7:12:01 AM

cholesterol free fish oil????
well people consume fish oil to get good cholesterol

nice shot, thinking and story.... with photographs like thise, people can write pages after pages
        Photo By: Martin .  (K:24957) Donor

Critique By: @ Swing  (K:393)  
10/7/2009 7:22:32 AM

owao shot - mood,lighting, placement, timing..
        Photo By: vehbi dileksiz  (K:37355) Donor

Critique By: @ Swing  (K:393)  
10/7/2009 7:20:17 AM

There are other mosques also built by Ahmed Shah and his relatives and slaves. There sre few old darwaza (doors) also in that city.
        Photo By: Madan Mohan  Chakraborty  (K:1531)

Critique By: @ Swing  (K:393)  
8/18/2009 7:09:39 AM

darun compo, detail, persepective, timiming and dof...
        Photo By: Avra  Ray  (K:18)

Critique By: @ Swing  (K:393)  
8/11/2009 9:36:38 AM

gola chhobi - kemon ekta dheu khelano bepar achhe puro bepartai
        Photo By: Avi    (K:70138) Donor

Critique By: @ Swing  (K:393)  
8/7/2009 3:22:02 PM

excellent graphics - wonderful shot
        Photo By: Saad Salem  (K:89003) Donor

Critique By: @ Swing  (K:393)  
8/7/2009 7:00:58 AM

great mood, finger and warning
        Photo By: vehbi dileksiz  (K:37355) Donor

Critique By: @ Swing  (K:393)  
8/7/2009 6:57:52 AM

thank you very much vehbi
        Photo By: @ Swing  (K:393)

Critique By: @ Swing  (K:393)  
8/7/2009 6:54:30 AM

processed in DPP
        Photo By: Madan Mohan  Chakraborty  (K:1531)

Critique By: @ Swing  (K:393)  
8/7/2009 6:53:21 AM

may be too much space on left
        Photo By: Saad Salem  (K:89003) Donor

Critique By: @ Swing  (K:393)  
8/7/2009 6:52:03 AM

here too.... there is a horizontal line, though due to DOF, it is not that distracting, terrific mood
        Photo By: Saad Salem  (K:89003) Donor

Critique By: @ Swing  (K:393)  
8/7/2009 6:50:16 AM

Saad, i think the vertical line of the window, which is going thru' the kid's head, is a bit disturbing..involvement is good
        Photo By: Saad Salem  (K:89003) Donor

Critique By: @ Swing  (K:393)  
4/28/2009 5:37:32 PM

good mood - there is nothing to worry, or a lot to worry
        Photo By: Saad Salem  (K:89003) Donor

Critique By: @ Swing  (K:393)  
4/28/2009 3:48:43 PM

i agree with you.... but it was so crowded, and people puching from behind... was missing my small range finder
        Photo By: @ Swing  (K:393)

Critique By: @ Swing  (K:393)  
4/28/2009 3:29:47 PM

The Lady (from Sweden) is in a programme in Bangkok to rectify (??) the "less paid" worker in a beer bar. I was speaking to these people. They get 15 !! bhat for standing 4 hrs and 5% of the beer sales...
Most of them also work between 1 PM and 9 PM somewhere, then get dressed and start working again. They mainly live on fast food after 1 PM.. each consume alcohol between 100 to 300 ml everyday...
        Photo By: @ Swing  (K:393)

Critique By: @ Swing  (K:393)  
4/28/2009 2:50:01 PM

Fuji Velvia 100
        Photo By: Madan Mohan  Chakraborty  (K:1531)

Critique By: @ Swing  (K:393)  
4/6/2009 9:10:17 AM

ei chobiota ta kintu amar sotti atto bhalo lagchhe na jerokom sobai bolchhe..
        Photo By: Aungsita  Chatterjee  (K:19843)

Critique By: @ Swing  (K:393)  
4/6/2009 9:07:47 AM

dimitra, thanks for stating it incredible. there ae more versions, better known as Italian and Battelion... In India, in any city, the Hair cutting charges varry from Rs. 10/- (i.e. $ 0.25) to 5500/- , i.e. $ 110/-
        Photo By: @ Swing  (K:393)

Critique By: @ Swing  (K:393)  
4/6/2009 9:06:39 AM

thanks amin, infact Thanks for your comment. In India, in any city, the Hair cutting charges varry from Rs. 10/- (i.e. $ 0.25) to 5500/- , i.e. $ 110/-
        Photo By: @ Swing  (K:393)

Critique By: @ Swing  (K:393)  
4/6/2009 9:06:12 AM

Thanks for your comment. In India, in any city, the Hair cutting charges varry from Rs. 10/- (i.e. $ 0.25) to 5500/- , i.e. $ 110/-
        Photo By: @ Swing  (K:393)

Critique By: @ Swing  (K:393)  
4/6/2009 9:04:25 AM

thanx, saheb ra moja peye gachhe, kintu erokom bepar prai sob deshei achhe..
        Photo By: @ Swing  (K:393)

Critique By: @ Swing  (K:393)  
4/6/2009 8:57:10 AM

drawing room photograph. wish i had a larger file toprint, frame and keep in my room
        Photo By: nima ojani  (K:128)

Critique By: @ Swing  (K:393)  
4/6/2009 8:56:23 AM

khub bhalo exposure and timing. chheletar modhye ekta bidrohi bidrohi bepar fute esechhe.
        Photo By: Anindya Chakraborty  (K:12765)

Critique By: @ Swing  (K:393)  
4/6/2009 8:53:17 AM

composition is good, but i think exposure is bad. neither the detail of the church (Hagia Sophia - inside) or the mosque (outside) is there. You may have used a much lower aperture to capture outside better and clear, because anyway, inside is totally dark.
        Photo By: Mesut Yilal  (K:3315)

Critique By: @ Swing  (K:393)  
4/4/2009 6:08:24 AM

i agree with you. i thought so while taking the photographs also. but the problem is I was on opposite footpath, used a 300 telephoto lens to capture this. When i was trying for bottom up approach from the other footpath, people were getting alert.
        Photo By: Madan Mohan  Chakraborty  (K:1531)

Critique By: @ Swing  (K:393)  
4/1/2009 6:49:13 AM

pl see other posts in this imambara portfolio
        Photo By: @ Swing  (K:393)

Critique By: @ Swing  (K:393)  
4/1/2009 6:16:20 AM

Very Important - world's one of largest span (without any use of Iron or Steel) - The architecture of the complex reflects the maturation of ornamented Mughal design - it is one of the last major projects not incorporating any European elements or the use of iron. The main imambara consists of a large vaulted central chamber containing the tomb of Asaf-ud-Daula. At 50 by 16 meters and over 15 meters tall, it has no beams supporting the ceiling, and is one of the largest such arched constructions in the world. There are eight surrounding chambers built to different roof heights, permitting the space above these to be reconstructed as a three-dimensional labyrinth with passages interconnecting with each other through 489 identical doorways. This part of the building, known as is a popular attraction, and often the whole complex may be referred to as the bhulbhulayah. It is possibly the only existing maze in India and came about unintenionally to support the weight of the building, constructed on marshy land.

The design of the Imambara was obtained through a competitive process. The winner was an architect Kifayatullah, who also lies buried in the main hall of the Imambara. It is another unique aspect of the building where the sponsor and the architect lie buried besides each other.

There is also a blocked (tunnel)passageway which, according to legends, leads through a mile-long underground passage to a location near the Gomti river. Other passages are rumoured to lead to Faizabad (the former seat of power of the Nawabs), Allahabad and even to Delhi. They exist but have been sealed after a period of long disuse as well as fears over the disappearance of people who had purportedly gone missing, while exploring.
        Photo By: @ Swing  (K:393)


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