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Critique By:
EUGENIO SINATRA (K:1948)
4/18/2005 8:07:32 PM
sadness, of course, we see it. well expressed in very fine comp. go to read your mailbox.
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| Photo By: emily savva
(K:21113)
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Critique By:
EUGENIO SINATRA (K:1948)
4/18/2005 8:03:17 PM
Il merito (se la foto ti pare buona) e' solo dell'isola di Linosa. Vacci quando potrai, e' una dimensione che non immagini, che io ho cercato a parole di esprimere (vai su www.palermopresente.com e clicca sulle foto di Linosa), ma e' un'esperienza che va vissuta in loco, con tutti i sensi oltre che con gli occhi.
Sono contento che ti piaccia il rettangolo azzurro, e' cosi', da ogni prospettiva a Linosa i colori mirano a salire all'azzurro del cielo.
per quanto riguarda la porticina : forse e' meglio talvolta lasciarle chiuse queste porticine, aprendole non sempre avremmo buona impressione di noi stessi, meglio immaginare standoci davanti.
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| Photo By: EUGENIO SINATRA
(K:1948)
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Critique By:
EUGENIO SINATRA (K:1948)
4/17/2005 2:10:52 PM
finalmente rieccoti. complimenti.
semplicissima ma intensa per la scelta dell'ora e per l'attenta composizione.
semplice ma carica di pathos, c'e' un senso di sospensione, di attesa, un'apertura a qualsiasi interpretazione da parte di chiunque, in base all'approccio visuale di qualsiasi tipo.
ciao grande.
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| Photo By: Rocco Bertè
(K:7717)
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Critique By:
EUGENIO SINATRA (K:1948)
4/13/2005 9:10:43 PM
It's a fossil, the old floor of a street in Selinunte, Sicily, where old temples still live. The shell, as a fossil, is one thing with the stone, so we see the pattern on both. Original shot in B/W, scanned + PS for sepia tone.
thanks
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| Photo By: EUGENIO SINATRA
(K:1948)
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Critique By:
EUGENIO SINATRA (K:1948)
4/12/2005 3:11:41 PM
troppo buona, le mie sono fotografie da 4 soldi, un passatempo.
le tue non scherzano, mi piacciono, per l'intrigante sguardo che penetra la realta' trasfigurandola e dandole una misura personale.
ho letto qualche tuo commento distribuito qua e la'e lodo l'acutezza delle tue analisi.
apprezzo la tua maniera fattiva di dare un senso al sito.
orevuar
eug
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| Photo By: EUGENIO SINATRA
(K:1948)
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Critique By:
EUGENIO SINATRA (K:1948)
4/12/2005 2:55:22 PM
Hi, thanks.
Ippo is from Greek word for : horse.
The paper-animals on the background are one horse with wings and one kind of prehistoric horse ( pterodattylus? ), to symbolyze all wishes to fly out from reality.
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| Photo By: EUGENIO SINATRA
(K:1948)
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Critique By:
EUGENIO SINATRA (K:1948)
4/10/2005 4:02:45 PM
E' Linosa, fa parte delle isole Pelagie assieme a Lampedusa, a sud della Sicilia, vicinissima all'Africa. Isola italiana. anzi siciliana.
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| Photo By: EUGENIO SINATRA
(K:1948)
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Critique By:
EUGENIO SINATRA (K:1948)
4/4/2005 5:42:30 PM
when one writes by light of thoughts, of mind, of hearth, of soul, of memories, of her life.
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| Photo By: emily savva
(K:21113)
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Critique By:
EUGENIO SINATRA (K:1948)
3/31/2005 3:30:39 PM
dfisgraziata allora parla come mangiavi una volta sull'Isola, prima di andartene in quell'altra foggy isle. spiegami bene il concetto di clokwork orange feel dell'altra immagine che mi hai commentato, non ho capito, ma mi sembra intrigante, aspetto risposta.
ciao bedda.
eug
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| Photo By: EUGENIO SINATRA
(K:1948)
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Critique By:
EUGENIO SINATRA (K:1948)
3/31/2005 3:24:12 PM
very few exibitions, and poor, useless, here, as everiwhere surely, one must be inside the academic-political system to have visitors.
you can see most of my photos on my website :
www.palermopresente.com
thanks
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| Photo By: EUGENIO SINATRA
(K:1948)
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Critique By:
EUGENIO SINATRA (K:1948)
3/31/2005 8:31:17 AM
a little pop-rock concert at sea, as many every summer, near Palermo Sicily, where I live. thanks
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| Photo By: EUGENIO SINATRA
(K:1948)
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Critique By:
EUGENIO SINATRA (K:1948)
3/29/2005 10:06:20 PM
PERSONA is : mask, or not? mask as what we are inside, so you see yourself at many ages, all in one? did I understand?. If so, I like very much.
If not, I like it the same, everyone finds something in a picture.
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| Photo By: Aris Michalopoulos / OsirisiS
(K:1916)
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Critique By:
EUGENIO SINATRA (K:1948)
3/29/2005 10:03:07 PM
This shot goes around a subject, spreading light shadows, shapes on emulsion, the emotion, or the life of the subject, all one with photographer's emotion and life. It seems to go around a greek temple. Same vision I have when I am nearour temples in Sicily : below the columns, between them, eyes up, to breath the same air of old men.
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| Photo By: Aris Michalopoulos / OsirisiS
(K:1916)
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Critique By:
EUGENIO SINATRA (K:1948)
3/28/2005 2:10:43 PM
Lomo or not Lomo: the same effect can be obtained by a manual reflex, open flash, long time of exposure, coloured jelly on the flash, ecc. Lomo is a toy for fun in making photos. thanks
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| Photo By: EUGENIO SINATRA
(K:1948)
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Critique By:
EUGENIO SINATRA (K:1948)
3/27/2005 9:31:19 PM
anche a te affettuosamente.
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| Photo By: EUGENIO SINATRA
(K:1948)
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Critique By:
EUGENIO SINATRA (K:1948)
3/26/2005 12:15:27 PM
neon azzurrato sotto il tavolo, un foglio di plastica opalina da stencil a mo' di limbo, e poi un po' di fusione di livelli in photoshop.
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| Photo By: EUGENIO SINATRA
(K:1948)
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Critique By:
EUGENIO SINATRA (K:1948)
3/23/2005 3:51:54 PM
proprio come dici tu : tout va
Semplice e perfetta
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| Photo By: soul 21
(K:27572)
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Critique By:
EUGENIO SINATRA (K:1948)
3/23/2005 3:49:35 PM
Bel taglio compositivo, bell'effetto di tono-su-tono, bel fuoco selettivo. Elegante presentazione.
Occhio che vede, dito che scatta.
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| Photo By: Mila Croft
(K:6038)
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Critique By:
EUGENIO SINATRA (K:1948)
3/19/2005 10:37:30 PM
la classe non é acqua.
che ci fa un fotografo così in mezzo a tanti dilettanti come noi?
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| Photo By: Paolo Cardone
(K:1161)
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Critique By:
EUGENIO SINATRA (K:1948)
3/17/2005 5:07:58 PM
Hi my friend, how are you?
I write to know if you agree in that :
do you want give me some help on my site palermopresente.com? I would like you
write your comments, if you want, when you want, on images shown on
palermopresente : if there are images that stimulate your excellent critic
soul.
I read your comments to many photos on usefilm, and I see that these comments
are great.
That should be a new and important work on the site.
If you want. If you do, you have only to read the images of palermopresente,
mine and by other photographers, and to write what you feel. if you feel
something, if there are images you like, images that "talk" to you, and so to
comment them by mail to me.
I'll put your comments on the site ( a new page : comments by Emily Savva)
I think it will be good .
tell me.
thanks anyway.
____________________________________
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| Photo By: emily savva
(K:21113)
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Critique By:
EUGENIO SINATRA (K:1948)
3/3/2005 6:55:41 PM
superia is the best for this shots, I think. unusual point of view, my favourite, is the mirror of your seeing way : eye on the reality, shapes changed in mind. one world, the eye of the mind. Naturally, it needs that everibody, watching this and similar images, yours or of another photographer like you, like me, be able to understand why one cganges the shape of reality. not only to have a different visual approach, but to show what I name " memory blades". kiss.
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| Photo By: emily savva
(K:21113)
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Critique By:
EUGENIO SINATRA (K:1948)
3/2/2005 10:57:51 PM
bravo, giusto il commento che assimila questo cromatismo ai dipinti olandesi.
ma stai attento a tutto : il bracciolo della sedia o quel che é, sulla sinistra-
il quadro in alto tagliato, era meglio toglierlo-
il riflesso sul piatto d'argento, a me non dispiace, é come una firma, ma se a te non piace evitalo col telecomando-
l'alzatina che appare deformata dalla prospettiva-
il taglio : il peso della vetrina a dx non é controbilanciato a sn.
sicuramente la puoi rifare piu' bella.
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| Photo By: soul 21
(K:27572)
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Critique By:
EUGENIO SINATRA (K:1948)
3/2/2005 3:48:08 PM
strong. the color enhances what you mean.
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| Photo By: emily savva
(K:21113)
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Critique By:
EUGENIO SINATRA (K:1948)
3/2/2005 3:46:50 PM
ah il gabbiano l'hai aggiunto in post? pensavo li allevassi tu, una razza lillipuziana da tenere dentro le bolle.
gia' commentata favorevolmente a suo tempo, non ricordo che ne dissi, ma mi sembra che :
se puo' sembrare melodrammatica, non lo é alla fine grazie alla presenza della bolla, che chiarisce il significato e la rende surreale.
well done
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| Photo By: Mila Croft
(K:6038)
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Critique By:
EUGENIO SINATRA (K:1948)
3/2/2005 3:17:27 PM
good, the panning has the right flou that enances colors and compo.
the only thing I don't like is the copyright below.
cong
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| Photo By: Spiro Mandylor
(K:92)
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Critique By:
EUGENIO SINATRA (K:1948)
2/26/2005 9:42:13 PM
oops mi pare conoscente.
forse la posta non mi funziona bene, hai ricevuto il messaggio con quella poesia sulle tue mediterranee foto? e' di Valentina Cucuzzella poetessa palermitana.
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| Photo By: Mila Croft
(K:6038)
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Critique By:
EUGENIO SINATRA (K:1948)
2/26/2005 2:09:50 PM
experiment ok. go on. I think howewer that one must adapt the effect of 35mm film in Holga to the effect one wants to gain, for example, the holes of film, resulting dark, must enter into the composition to have a real meaning, not only a casual effect. I hope to see more shot from you like it.
after, colors : why don't you use cross processing from slide film into C41? You will be surprise by results.
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| Photo By: Laura Lee
(K:990)
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Critique By:
EUGENIO SINATRA (K:1948)
2/25/2005 11:02:49 PM
the light on background is a real spot, the white light, which seems a moving lighter, is really a piece of paper glued on backgrond, in shape of smoke, blurred by out-focusing. Great work to glue the paper in right position in front of lens.
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| Photo By: EUGENIO SINATRA
(K:1948)
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Critique By:
EUGENIO SINATRA (K:1948)
2/25/2005 11:01:18 PM
Hi, well done here.
I replay to your comment on my "smoke" : the light on background is a real spot, the white light, what seems a moving lighter, is really a piece of paper glued on backgrond, in shape of smoke, blurred by out-focusing. Great work to glue the paper in right position in front of lens.
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| Photo By: carolina silberschmidt
(K:1151)
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Critique By:
EUGENIO SINATRA (K:1948)
2/24/2005 9:51:06 PM
Solitude, alienation from city in which we often are alone, although in the crowd, and we are islands drifting in caos of minds, dreams, words.
The hour and minutes written remind that it's too late for all, run run run. and you stop the time, you kill the time, you break watches by one shot.
Slow and cold rhithm of these images remind the run of life, struggles the hurry, as for a bladerunner.
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| Photo By: emily savva
(K:21113)
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