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Critique By:
Anindya Chakraborty (K:12765)
6/4/2009 10:19:58 AM
Athens, Greece....read so many stories on history about them and dreamed as well when I was a child. This picture is very calm yet so much going in it. Does this reflect your mind? I like this poetic picture and you did well to keep in it bw. All emotions.
best
Anindya
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Photo By: Olga Vareli
(K:22477)
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Critique By:
Anindya Chakraborty (K:12765)
6/4/2009 10:13:56 AM
I like the expression on his face...very unique. I think there is some room for improvement in terms of tones in this picture. Tones seems to be bit flat to me. You have a wonderful portfolio Olga.
regards
Anindya
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| Photo By: Olga Vareli
(K:22477)
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Critique By:
Yamil Saenz (K:12434)
6/3/2009 1:24:46 PM
Re-posted.
Brigitte R. wrote about ths image.
Brigitte R. {K:20447} 6/3/2009
As if it isn't challenging enough to capture a bird perched so it looks perfectly posed in an image, plus to get it pin-point sharp - you even get them in the act of feeding in the wild! I am absolutely stunned by your consistantly better than perfect images! I sure hope that Audubon Society and others are looking at your work. Very, very nice! 7/7
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| Photo By: Yamil Saenz
(K:12434)
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Critique By:
Dan Wilson (K:21104)
5/20/2009 3:40:53 AM
Great work here Tim, and congrats on the well deserved award for this shot. I hope your camera didn't get too wet. I love the lighting and also the lack of it in this shot and how the two together create a stunning and moody feeling and atmosphere to this shot. The colours and exposure here are stunning, well done
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| Photo By: Tim Schumm
(K:29196)
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Critique By:
ron shufflebarger (K:557)
5/20/2009 2:29:52 AM
nice tonal values. One looks at it and almost wonders if you could get rid of the tree line all together and just have structure, that it probably would be a more powerful image. The treeline, even though faint, distracts me and doesn't add anything---ron s.
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| Photo By: ANANDA NIYOGI
(K:4486)
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Critique By:
Arup Bhattacharya (K:3422)
5/20/2009 5:35:37 AM
Lovely shot .. nice perspective.. allow me to share my thoughts.. personally I feel , inclusion of a single human figure in motion would make the whole composition look more lively..Once again .. this is never a judgment..its only my personal thought.
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| Photo By: Phillip Minnis
(K:13131)
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Critique By:
Dan Wilson (K:21104)
5/3/2009 11:59:42 AM
Wow Dave, another stunning shot. I love this freeze in time you have captured, the player look a tiny bit sad by the expression and looks to be deep in thought. I really love the slight bluring in his arm and hand, it really adds to the mood of the shot, and really gives us the impression that he is indeed playing his heart out. Great details and DOF, I think this in black and white is the perfect choice
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| Photo By: Dave Stacey
(K:150877)
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Critique By:
Nick Karagiaouroglou (K:127263)
5/3/2009 1:03:32 PM
Very descriptive shot of not only the fantastic details of that fantastic city, but also of the special atmosphere that it has when under clouds. The colors and the shapes seem to merge with the presence of that muted light, which provides a special sense for the age and the meaning of Florence in its historical civilizatory role.
I can't be really detached in this comment, since I was standing exactly there, at Piazza Michelangelo, trying to get some images of the city, but still the enormous DoF and the great details are above all suspicion here. The gradual and subtle increase of the haze toward the depth enhances the huge space of the image even more.
Only as a question here: Could a bit more contrast do good? I adjusted the levels for that (attachment) but then the subtle diffuse light of the image became much weaker. So, which of both possibilities do you think matches better the view? I think yours comes much closer to that atmosphere.
Cheers!
Nick
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| Photo By: Dave Stacey
(K:150877)
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Critique By:
Allen . (K:-667)
3/26/2009 12:46:01 AM
Kinda hard to understand why this picture hasn't gotten more attention. Excellent landscape that I'd be hard pressed to find any fault with. Love the subtle combination of leading lines and S curve. Very good eye.
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| Photo By: Sei Tchiez
(K:71)
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Critique By:
Nick Karagiaouroglou (K:127263)
3/21/2009 12:22:23 PM
It has a very "trainy" mood indeed, Andre, in the sense that cargo will not only follow the well known "photogenic" routes that appeal to the typical tourost, but it will follow many routes that have a different kind of photogenity than what appears to be "nice" to the lazy eyes of the monotonous "aesthetic rules".
So, thanks to your good focus, I see the good details of the rail world as it expands to the depth between machines, vegetation, and rather "dirty" colors, if I can call them like that. There is also some kind of refraction-like effect on the edges of the objects on the image that suggests humidity just like after a heavy rain. It certainly adds much to the athmosphere. It makes it very very real.
The composition is again pretty well balanced for me. I wouldn't add or subtract anything at all.
Only a small idea about that. Do you also notice a more "closed" kind of view by cloning of the small piece of sky near the top left? (Attachment).
Cheers!
Nick
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| Photo By: Andre Denis
(K:66407)
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Critique By:
Anindya Chakraborty (K:12765)
3/26/2009 3:53:33 AM
excellent street photography this! The street patten looks very nice and the position of the men in this picture also adds to whole composition in the frame ....overall an excellent street photograph....
regards
anindya
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| Photo By: Linh Ha
(K:120)
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Critique By:
Roderik Koenders (K:2740)
10/6/2008 12:07:09 PM
Hoi Teunis,
Great shot. I really like the colour depth with the bright green of the grass, blue in the sky and warm tints on the mill.
I don't know how much post-processing you have done on this picture but maybe you can enhance the colour depth by removing the slight red tint from the grass, that way it might pop even more? Just a thought though.
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| Photo By: Teunis Haveman
(K:37426)
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Critique By:
Roderik Koenders (K:2740)
10/6/2008 1:27:49 PM
Ania,
Great shot. I really like how you darkened the edges a bit to keep the focus on the two central figures. You have used the low depth of field very well, with the high aperture value. What ISO did you shoot at?
I think you already darkened the sky a bit already, but I think it is still a bit too overpoweringly bright. Also the figure on the right draws my eye away from the main subjects.
The composition is very nice though, with the big sister being protective of her little brother. I really love how you managed to get the trust of these kids to shoot them in this way. Is this a street photography shot or are these kids you know? If the former I would love to hear how you approached the situation and got your shots. I am experimenting with street photography myself a little, and it always makes me a bit nervous to just go and take picture of people :-).
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| Photo By: Ania Blazejewska
(K:23981)
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Critique By:
Paul de Beukelaar (K:26449)
10/6/2008 1:30:18 PM
Hi Pim,
I agree with Phillip about the pose of Janneke's leg. The previous B&W portrait was such natural and so excellent, but here I notice immediately what Phillip already clearly described.
Another thing I notice is, however I can't read her thoughts, she was willing to pose but also she seems to be maybe bored and somewhat impatient. It is clearly visible from the tension seen around mouth and neck.
Lighting however is really perfect,
vriendelijke groet,
Paul
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| Photo By: Pim de Ruijter
(K:2170)
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Critique By:
Nick Karagiaouroglou (K:127263)
10/6/2008 1:46:42 PM
A very very authentic and original idea, Ian! It has both "order" and at the same time "disordering" for me. The restricted palette adds much to its abstract power. The texture on the wood looks nice too, but above all I find that kind of "diffuse light glow" over the whole image very interesting. Is that the result of the reflections on the water?
Another possible crop would be like on the attachment, but then it loses much of that abstract look, doesn't it?
Cheers!
Nick
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| Photo By: Ian McIntosh
(K:42997)
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Critique By:
Bob Brins (K:4130)
10/6/2008 12:25:09 PM
The image transcends the subject matter. I've done similar work at Coney Island. But, my images are about the place. This peaceful moment is everywhere. I don't know if it's seeing or skill but, I very much like the lighting that keeps the figure from blending into the (back) ground.
Bob
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| Photo By: Artan Korenica
(K:232)
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Critique By:
Roger Skinner (K:81846)
10/5/2008 10:24:38 PM
beautiful girl but the pose is wrong.. her legs have disappeared so if you crop the top out that might help but in all seriousness I would re pose her... try this too last thing you do before you depress the shutter button is to run your eye round the periphery of the viewfinder, this has two effects 1 You see the odd things about the shot.. ie trees poking into peoples heads and stuff like that and second you detach from the centre of interest the thing you are hot to photograph and simply see an image as the camera sees it. I cropped it according to my taste in order to tidy it up, but it would be better cropped in camera so you dont lose image size and so on.. hope you dont mind
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| Photo By: Srna Stankovic
(K:172232)
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Critique By:
John Hatz (K:156973)
10/4/2008 11:09:17 AM
Absolutely excellent shot, silhouettes are very nice... and of course a silhouette on a very interesting subject like a man trying to work hardly on the....top of the world (kidding about the highs and how I'm scared about...) is surly something very nice... excellent the way to tightly frame the subject as also the way you 'use' the metallic parts and the flag into the frame... amazing... that must be on a boat...even I had a different idea firstly about a man working on a contracted building... but the flag gives the reality about what going on here... unique place anyway to seat a man!!! (again no way to be there...hahaaha)
be well Tommaso!
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| Photo By: Tommaso Di Falco
(K:23819)
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Critique By:
Nick Karagiaouroglou (K:127263)
9/29/2008 10:42:09 AM
The lighting and the coloring caught the atmosphere very well, in a combination of real view and a look at one of those old posters whose colors get washed out by rain and sunlight. In this sense it has also much of the "aged" look that seems to be ideal for preserving vague memories. Very good details and perspective with a great DoF that adds much of that "could touch it" kind of look and feel.
On some places there is a slight overexposure, like for example on the tower of the church, but this enhances the sense for light in this case. The whole balance remains intact - there is no too much or too little here.
Very good work.
Nick
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| Photo By: Orazio Minnella
(K:49417)
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Critique By:
Riny Koopman (K:102911)
6/29/2008 3:33:17 PM
We live in an increasingly complex world that challenges us every day with a wide range of disturbing issues that are difficult for children to understand and for adults to explain. We believe this Web site can help by offering practical, concrete tips and techniques for talking easily and openly with young children ages,very intresting human portrait,be well my friend,riny
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| Photo By: srimanta ray
(K:2710)
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Critique By:
Billy Bloggs (K:51043)
6/15/2008 8:19:15 PM
Well spotted, Stan. It would be a good abstract even without the loaded meaning. It's hard to say whether mono is best for this image. I suspect keeping colour might lose the crosses, in which case it has to be mono.
Regards, Gary
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| Photo By: Stan Hill
(K:35352)
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Critique By:
Doyle D. Chastain (K:101119)
7/6/2008 5:52:48 PM
I'm going to echo David on this one (ok, an English echo but you know what I mean). The darker clouds on the lighter left sky work well to accent this shot as does the tower. Love getting some info too. Nicely done and the tower central to the composition is one of those rare exceptions to the rule of thirds that works in this composition ver well!
Regards,
Doyle I <~~~~~
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| Photo By: Julie Salles
(K:22654)
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Critique By:
Larysa Khomenkova (K:3039)
6/26/2008 12:21:20 PM
Dear Shibnath, Excellent shot, the best from what I could see during last time at diffeent photographer's web-sites and jornals. I like relfestions and even in the smallest pull I try to take them. But yours is perfect, I like the peoples that are here, minimum things and maximum reflection of the sky. Amazing job, congratulations. Have a nice day and more nice shots, all the best, Larysa.
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| Photo By: SHIBNATH BASU
(K:-907)
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Critique By:
Nick Karagiaouroglou (K:127263)
7/1/2008 1:37:07 PM
But for photography it is quite an alive end, Saad! Only perhaps a different frame (attachment) for enhancing the edhe of the column at the very left, that otherwise "flows" into the white background of the web page. This is only a suggestion for presentation, however, and not for the shot itself.
The shot itself is simply strong, full of vivid details in all the DoF, with a great composition and enhancement of the depth, and with a very well balanced lighting/toning. Only perhaps the whole woman would be better included on the image, which on the other hand still doesn't lower the tension of depth and distance.
Cheers!
Nick
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| Photo By: Saad Salem
(K:89003)
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Critique By:
Stan Hill (K:35352)
7/1/2008 2:06:25 PM
Title is not important with an image as nice as this. Unbelievable calm of water and the motion blur of the clouds is really nice. Of course the colors are really nice. Be nice to that Canon, it is treating you very well.
Be well, Stan
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| Photo By: Collin Stebbins
(K:1868)
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Critique By:
Al Ungar (K:4626)
2/26/2008 10:08:06 PM
Julie,
Have to be upfront with you..
Subject - Good nice looking lady, nice smile, dressed well
Composition - Good, eyes in the top third of the image, cut-off of the head well done (can tell it is on purpose)
Colors - no punch in them..you said no post processing, don't think it is a plus in this case, alittle more saturation and pop would help a lot
Light - Flat, boring, no catch light in her eyes, no shadows
Killer- wrong lens !! you used a wide angle which distorts her lovely face. You should not use anything less than 100. If you were at the far end of your lens and 1.5 factor the best you have is an 82.
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| Photo By: Julie Salles
(K:22654)
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Critique By:
Nick Karagiaouroglou (K:127263)
11/29/2007 12:28:20 PM
It is not only hilarious but also very unreal, almost surreal, I would say, Erin! Any capture of a single moment in time has that kind of exciting surreal look, but only if it is techically perfect, which this one is above all doubts. The composition is well balanced, the lighting too, and the unimaginably strictly correct focus reveals the momentray expression and details of the persons.
I would use this one in a photography course for many of the wannabes here who think that it is only just take the camera and shoot something... anything. ;-) you demonstrated very well, that even (or perhaps especially) a funny photo is captured by conscious applying technique and knowledge!
In a way this is a BIP for its own! Hat off!
Nick
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| Photo By: Erin Kelley
(K:1603)
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Critique By:
Mary Brown (K:71879)
11/28/2007 6:54:51 PM
Great shot, Walter. The blues in the background mountains are wonderful. The two rocks sitting on the edge in the foregreound remind me of a couple of people sitting there admiring the lovely view. The fact that you have the foreground section on a bit of a slant is a great compositional element. Super perspective for taking this image.
MAry
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| Photo By: Walter Scarella
(K:19671)
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Critique By:
Gustavo Scheverin (K:164501)
10/17/2007 1:29:04 AM
ahhh, esplendida!, puro surrealismo aquí, con un toque a Delbaux: onírico, y ese reflejo en el agua que es impecable, y los colores, intensos y muy armonioso. Yo creo que sin dudas vos tenes un estilo, y yo puedo reconocer un Steinberg...con solo ver la imágen, o casi...:-)
Como conseguís esos escenarios?, bueno la respuesta creo que es casi evidente, yendo a buscarlos...ja...ja...voy a salir a buscar escenarios, y personajes también, la verdad eso es nuevo para mí, siempre busco la foto, no elementos para una foto.
Che, perdoname que insista pero el libro de Mellado es muy interesante, plantea la fotografía digital desde la óptica del fotografo clásico que tiene que pasarse a la tecnologia digital y quiere obtener los mismos niveles de calidad...
Está lleno de simples trucos, mucho sobre RAW, ajustes de colores de dispositivos, manejo de archivos que no se degradan con la manipulación...muy, muy interesante!
Un abrazo! ahhh, un merecido 7, master!
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| Photo By: Luis Steinberg (EFIAP)
(K:21250)
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Critique By:
Dennis Hendricksen (K:4817)
10/15/2007 8:25:20 PM
So does artistic licence mean you placed the milk crates in a more eye pleasing arrangement? This is such an interesting picture, the snaking electrical conduit is the icing on the cake - an element curving chaos amidst the straight lines in the rest of the image. I now realize looking a little closer that the monochrome look (except the crates) was created by you. I think it works well in this context - not too unrealistic that it becomes distracting. A nicely conceived work, and well executed.
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| Photo By: Jeff Cartwright
(K:52046)
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