|
Fatemeh Rahimi
{K:13523} 2/26/2006
|
wow!it's fantastic! wonderful perspective and composition! well done! (Sorry hermin! I see I’ve given this massage also in hangover. It should be here acutely!) Sorry for mistake! Good luck!
|
|
|
Elena Tunik
{K:552} 2/17/2006
|
this is a very good picture- very interesting. i wand to make pictures like this too.
|
|
|
------- -------
{K:-570} 1/23/2006
|
felicitari pt serie , un studiu curat .
|
|
|
Cristina D
{K:8080} 1/23/2006
|
ORIGINAL IDEA ONCE AGAIN, BUT I WOULD RATHER let the background simple, without the corner from the right (when u look at the photo), but then I don`t know cause the photo will lose its balance; hmmm...original, creative and still missing something here.
|
|
|
Paul Maguire
{K:1113} 1/23/2006
|
There have been so many photos of a fork shot from this sort of angle, on usefilm and in enthusiast magazines lately, that it is rapidly becoming a cliche. However, what you have done here is really original. By carefully composing the shadow as you have, the image has an extra dimension of intrigue. I really love too the way that the tips of the tines fall between the gaps behind. It creates a surreal perspective reminiscent of Escher. I'm not sure the background detail in the top left really adds anything: I'd have rather seen a tighter crop around the fork and shadow. Nonetheless, this is a really creative shot. Bravo!
|
|
|
eleonora frago
{K:2472} 1/23/2006
|
i like very much this composition. shadows are great and gives to the shot a graphic air. shadows are not only a complement of the photo, they ARE the photo, in the complicated and beautiful crossing that they form!
(i apologize for my english)
eleonora :)
|
|