|
Piers Erbsloeh
{K:824} 12/13/2003
|
great composition... somehow looks realy unreal and yet so down to earth... great work
|
|
|
Haytham Nawar
{K:1180} 11/30/2003
|
i don't like thje crop sarah .. the upper area is 2 much ...don't feel comfort with the com.. i like the colors ... and the object ... good work ..
|
|
|
Frederico Correia
{K:20} 11/21/2003
|
This is one of the best photos I have ever seen! I really like this style of photography.
Regards.
|
|
|
Roberto Arcari Farinetti
{K:209486} 11/20/2003
|
nice cut and compostion.. regrads roby
|
|
|
Massimo Molteni
{K:57} 11/20/2003
|
Nice as usual, from you. Molto belle anche le altre foto di esterni. Belli anche i ritratti ma un po' freddi. Sembri pił nordica che mediterranea?!
|
|
|
Emgy Massidda
{K:60358} 11/20/2003
|
The top of the photo, the yellowish part, is has indeed too overwhelming and distracting. The object itself is beautiful and has gorgeous colours. The wall stuctures and details are great. Very nice shot, Sarah!
|
|
|
Tomo Radovanovic
{K:12788} 11/20/2003
|
agree with ian about the top of image thanks for sharing this photo regards
|
|
|
Ahmed Fawzy
{K:3288} 11/20/2003
|
very nice shot. good work you....:)
|
|
|
Ian Moggs
{K:24} 11/20/2003
|
personally I feel that the top dominates and the rest gets lost - trimming the top so that only half the well-lit beam is shown, then keeping the rest as it is would be great. (no G'tee others agree though)
|
|