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danilo parra
{K:549} 12/26/2005
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your sense of graphic arts has certainly seeped into this style of work interms of composition and color. i like the evil expression on her face as well. i'd love to see more.
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Ameed El-Ghoul
{K:42215} 6/15/2005
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The hand doesn't bother me at all, actually I think it adds to the composition, I only wish it was more blurry, this is ofcouse my humble opinion, very well done,
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delete my account
{K:3679} 6/6/2005
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wow...
VERY BEATIFULL!!!
i love the mood in it..Perfect lightning and i love the make-up tooo
brilliant job, into my favorites
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m.c. lopez
{K:14766} 6/1/2005
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splendid !
In my favs !
mc
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Tore Bully
{K:1308} 5/30/2005
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Good, very good work.
Regards torebully
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sloba nikolic
{K:2015} 5/30/2005
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Very good shot,good angle!Bravo!!!
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Roberto Arcari Farinetti
{K:209486} 5/28/2005
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welcome Yumie..have a fantastic portfolio!
also me i'm invted?!?
excelent light and sensual mode,
I like it
roby
7
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Kim Culbert
{K:37070} 5/27/2005
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I don't mind the hand in the foreground... it's like she's reaching out to the audience.
The available light has a darkness/grunge to it that really works for this image. Her face stands out really well as the focal point. Great use of lines in the foreground and background as well!
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Massimo Di Maggio
{K:-53658} 5/27/2005
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I like your last portraits for the good composition and the deep darkness, the model?s pose is always original and beautiful, also in this one, the only thing I don?t like here is the hand in foreground, I like the gesture and I think it?s very meaningful, but the hand is much bigger than the other and this disturb me a bit, at least for my taste ;) Bye, Max
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RC. Dany
{K:64104} 5/27/2005
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Excellent work.
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Mitchell Miller
{K:3009} 5/27/2005
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wow!!!! excellent!!!
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Kiarang Alaei
{K:49415} 5/27/2005
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Good perspective used for enhance the feeling, but the yellow scatter tones on the skin distract the eyes.
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Nour El Refai
{K:12481} 5/27/2005
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its amazing, angle, pose, even her make-up
excellent work
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poorbaby poor
{K:159} 5/27/2005
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this is good too... keep it up :)
best regards
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