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Nick Karagiaouroglou
{K:127263} 2/27/2008
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So it would go pretty much into weaving with light, I guess, Ian! What if light itself could be the main producer of not only form but also texture on the surfaces of the form?
Cheers,
Nick
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Ian McIntosh
{K:42997} 2/26/2008
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Oops sorry now I get you, a close up of the hill beyond.
The shadowy flax (I think) and the ones in light.
There's some depth to that.
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Ian McIntosh
{K:42997} 2/26/2008
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Weaving!
Of course!
I'm enjoying bits of each image but they aren't really about form but light. They'd lose nothing but gain form.
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Nick Karagiaouroglou
{K:127263} 2/26/2008
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Some kind of unexplainable sense for light and shape of the familiar turned into something uncomprehensible - and you seem to get more and more experience on that, Ian!
Here I find the textures right under the dark of the top very interesting. Any chance to try one with more of that textures?
Cheers,
Nick
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Roger Skinner
{K:81846} 2/7/2008
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I shall wait with bated breath
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Ian McIntosh
{K:42997} 2/7/2008
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Cheers Rog. It's getting there. No the train didn't come! It's a car on the road above the tracks which I've cropped out. A train would've lit up the toe toe nicely. I think I've found a good spot though. The hill at the back has some background intetrest.
Still waiting for the main event.
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Roger Skinner
{K:81846} 2/7/2008
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PA Its a ripper environmental impact statement either way
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Roger Skinner
{K:81846} 2/7/2008
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is this the train again... I love it irrespective of whether it is or not.. As usual highly conceptual and evocative and enigmatic at the same time
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M S
{K:9123} 2/6/2008
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Fantastic image. Very impressive.
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