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Critique By:
Andre Denis (K:66407)
4/3/2007 12:39:37 AM
Hi Andrzej,
I really like what you did with this one. I'm not sure if it was intentional, but the way you have the surf boards mostly in the dark seems like a good thing in this image. The reason being that they are a part of the image without being a distraction. The image tells the story of the boards down and retired for the night. And what a night!!! You must have had a great time there!
Another good little part of this image is the lone set of footprints in the sand. I feel I don't even have to comment on the beautiful clouds and sunset. That is just so obviously right.
This is a very nice image Andrzej, great job!
Andre
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| Photo By: Andrzej Pradzynski
(K:22541)
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Critique By:
Andre Denis (K:66407)
1/11/2006 4:01:10 PM
Thilo,
I think locked behind this vault like door will be some of the most valuable, ancient secrets that the museum has. There will be ancient objects so valuable that they can never be exposed to the light of day. Perhaps some secrets of even more importance than the Da Vinci Code!
Or, it could be where the caretaker keeps his carton of beer hidden behind the mop and bucket. 
Andre
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| Photo By: Thilo Bayer
(K:50358)
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Critique By:
Andre Denis (K:66407)
10/13/2005 2:37:35 AM
Hi Mark,
That was a great time back in the late sixties and early seventies for sports car racing. Jim Hall not only drove the Chaparrals but he was a major designer for all but the 001 model.
Most of the shots you were looking at (birdcage maserati chaparral 001) are new images of old cars from the Lime Rock Vintage car festival on Sept. 3/05
They were not scanned from prints. Just uploaded from the digital xd card and worked on in Photoshop. There are some older scanned images that I took in the seventies of other race cars further back in the portfolio. some scanned from the original negative and some from prints.
Andre
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| Photo By: Mark Longo
(K:12760)
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Critique By:
Andre Denis (K:66407)
8/2/2005 2:00:58 AM
Hi Maria,
I am going to try and be honest from my point of view when I write this. Nothing really negative, just a question. First of all, I like the concept of this series a lot. I went back and looked at the first one and one of the things I liked about it was the fact that the old Sepia image was sharp while the present day image in colour was soft focus. My question is... do you think the above image would have been better if you used the same concept. The composition and thought behind the image are great. But, no one in all the comments has mentioned the sepia image is almost as soft as the colour in this one.
Andre
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| Photo By: Maria José Barres
(K:11276)
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Critique By:
Andre Denis (K:66407)
3/19/2005 2:20:19 PM
Hi Dennis,
I was following your discussion with Dave on the cropping of this photo. This sort of thing comes up all the time. Sometimes you have a great shot and then something stands out that throws everything off in your mind. Sometimes there is just nothing you can do. The beautiful sun rays shining through on the old cement abutment is the photo
Andre
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| Photo By: Dennis Polessky
(K:314)
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Critique By:
Andre Denis (K:66407)
3/5/2005 3:50:06 PM
Great shot Devin,
I know how hard it is to get good shots of these birds in flight. I was trying to capture some a few weeks ago here east of Toronto. I got a lot of nice shots when they were stationary, but could not get anything decent in flight, even with my multiple exposure setting on.
Andre
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| Photo By: Devin Manky
(K:106)
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